Of her new song, she continues, "I am excited to be dropping 'Bite Me.' It’s an anthem about knowing your worth, what you deserve and not giving someone a second chance who doesn’t deserve you.” Get a closer look at the lyrics and listen to the song below and pick up the track here. Travis understands my vision as a musician, my creative process as an artist, and my goals at this stage of my career." We spent a lot of time writing songs and working on this record together, and signing to his record label, DTA felt like the perfect home for me and my new music. The first time we worked together was 15 years ago on my album The Best Damn Thing and I have really enjoyed watching him develop into the producer that he is today. Lavigne adds, “I’ve always admired Travis and his work. Reid (executive producer), Rick Kerr (engineer. Featured peformers: Avril Lavigne (vocals, art direction, writer), Mark Spicoluk (bass), Matthew Brann (drums), Jen Scaturro (programming), Peter Zizzo (arranger, producer, engineer), L.A. I can’t wait for everybody to experience the incredible music she’s about to drop,” says Barker. Released 4 June 2002 on Arista (catalog no. There Avril became a local star soon, performing at all the festivals and fairs. I’m so stoked she’s now part of the label. Album Let Go Track List: Avril Lavigne 01.
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We had gotten in the studio earlier this year, and we were having so much fun that I knew I wanted to ask her to join the DTA team. "Avril and I have been friends for a long time, but I think I’ve been a fan of hers even longer! She’s a true badass and an icon as a performer, songwriter and presence. Highly recommended.The pairing with Barker's label to back her new music is something both artists are beaming about. While it would be nice to see a return to this style, 16 million units sold suggest that Let Go can still be on peoples' minds and stay there for years to come. Needless to say, the music trumps the lyrical work, and the delivery of said lyrics by Avril attempts to overshadow the obvious simplicity and faults.Īll in all, though, Let Go is a fantastic debut by a pop artist that would soon drop the hard rock in favor of even more accessibility. Essentially, you've heard it all on other pop records life, love, breakups, hookups, and the like. The biggest gripe about this album (probably due to age) is the lyrical immaturity. Records generally aren't perfect though, and this album is no exception at all. The extra distortion definitely adds to the invigorating nature of the climaxes pervading many of the songs. As the decade progressed, so did Lavignes marketable sound, which took a. In fact, "Unwanted"'s chorus verges on alternative metal, with the guitar and bass lines in unison in a power-laden groove. Lavigne, who was 17 at the time, quickly rose to teen idol status, selling several million copies of her debut album, Let Go (the best-selling album by a female artist in 2002), while inspiring a genuine fashion craze with her penchant for tank tops and neckties. For rockers, there are plenty of heavy riffs intermixed with climatic melodies, especially during the choruses. Songs like "Mobile" and "Losing Grip", as well as the surprisingly heavy "Unwanted" may just be enough to dispel Avril Lavigne's claim that this album is simply a pop record. The acoustic melody evolves into heavier distorted guitar chords with that aforementioned "crunch" as Avril Lavigne's voice becomes a soaring powerhouse. "Mobile", however, is an absolute triumph, speaking of uncertainty and the troubles of moving out of a place or comfort zone. Lavigne's vocals are particularly resonant and generally hopeful. "Things I'll Never Say" begins with a memorable brisk vocal melody before settling into its poppy beat. However, looking away from the hits, other tunes are just as solid in the songwriting department. "Sk8er Boi" takes a direction akin to pop-punk, as Avril brings another injection of infectious vocal work, peppy but not overbearing.Īnd so it goes. life simply being complicated, and yet pulls it off with finesse and with a refreshingly positive vibe. "Complicated" has become a mainstay to teen alienation and well. "Losing Grip" captures Lavigne blazing through the chorus behind crunchy grunge-like guitar work, attributing further to the "rebellious" persona she was going for at the time.
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It's clear that The Matrix's work with the singer paid off, as the singles contain a certain appeal without losing any songwriting magic. well, it's hard to accurately describe the magnitude of this record's success. Lavigne might have been signed to Arista - the "accessible" label as it is - but what really brought her to fame is the partnership with the songwriting team The Matrix (now defunct) to work on the smash hits populating the first half of the album. It's hard to believe that Avril Lavigne transformed into such a generic pop icon, considering the angst that used to be bundled within her songwriting in the early 2000's. Review Summary: A beacon of light in the pop world, Avril Lavigne's debut album is a staggering combination of attitude, melody, and emotion.